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This short-term hiatus could have a lasting effect on the show and its creators. Long-time maker Buck Houghton, faced with the possibility of sudden unemployment, would reluctantly leave the show as would other important figures of the show’s production team including film editors Bill Mosher and Jason Bernie and associate director E. Darrel Hallenbeck.

  • Miessence Baby Care (0-2)
  • All the figures in the world can’t measure the warmth of the smile. – Chris Hart
  • Makeup Brushes
  • Super effective against anti-aging and dark spots removing
  • Soak the hip and legs in the seafood
  • It’s Inhumane, Plain and Simple

As for Serling, the continuous grind of writing the majority of the show’s scripts as well as acting as web host and executive maker had taken an enormous creative toll. When first looking at “The Changing of the Guard” the impact of Frank Capra’s It’s an excellent Life (1946) is immediately noticeable given its special event of the normal man and the promise that nobody goes unnoticed or unloved in life.

The fact that episode, which aired in June, occurs around Christmas is typically not a coincidence but a deliberate nod to Capra’s traditional holiday film. It should come as no real surprise that Serling would be influenced with a storyteller like Capra for his movies possess the same brand of empathy found in much of Serling’s work.

Capra believed in mankind and the overlying message found throughout his body of work is merely that every individual has value and therefore has the right to feel valuable. Serling’s empathetic romantic relationship with his lowly protagonists was more than his preaching of the humanist gospel just. Serling was, above other things, an autobiographical writer.

No matter the setting or premise of a story Serling’s personality was always present and a lot of his heroes were simply extensions of himself. It appears safe to believe that Professor Fowler represents many of Serling’s fears as a writer even though he’d later declare that he felt this show was too sentimental. These worries would only grow as he grew older. In the years following the Twilight Zone, as the counter-culture movement flourished and television began to change, Serling noticed the medium that he helped create more or less move ahead without him.

Poetry plays an important role in “The Changing of the Guard.” But the poems Serling includes are not chosen randomly nor were they poems everyone in a 1960’s television audience would necessarily understand. The first poem described, recited in-full by Donald Pleasence in the first picture of the show, is from English poet A.E. One year later, now a victim of a bad broken heart, the loudspeaker regrets his ignorance. Fowler’s recitation of the poem to his young students shows the old sage’s advice to the protagonist and the theme of the poem also foreshadows Fowler’s heartbreak at having the thing he adores most, teaching, taken from him away.

Serling could also have included it in mention of Fowler’s students who passed away young, as much of the poems in A Shropshire Lad pay tribute to English soldiers who lost their lives at a age. As Fowler recites this to the class, the camera pans slowly over the classroom of children, some fiddling restlessly, some staring vacantly into nothing, all naive and inexperienced like the protagonist of the poem.